He said that they could all talk about the theory in great detail, but when it came down to actually using it in a realistic situation, they fell far short of his expectations. He had tried to find a Xing Yi teacher, however, of those that he met, none could really use their art. Thought that the movements of Xing Yi looked like the loose body action of his Filipino styles. During this trip to the Philippines Tom also met and trained with his Doce Pares Escrima teacher Momoy Canete. In this tournament Tom defeated all opponents and was designated co-champion (the final championship bout was cancelled). Even though he had only three years of Arnis training at the time, he was entered in the senior instructor's division (which was reserved for practitioners with at least ten years of experience).
WHO IS TOM BISIO FULL
In 1979, Tom Bisio went to the Philippines to fight in their national full contact stick fighting championship. Tom studied with Leo Gaje from 1976 through 1988. He studied with Gaje 4 or 5 days a week in small group or one-on-one sessions in Queens and also continued studying with him on Sundays at the Consulate. Shortly after Tom began his study with Gaje at the Consulate, Gaje began also teaching a class in Queens and so Tom increased the intensity of his training. He began taking this class when he was 19 years old. He went to the Consulate to inquire about the class and found that Leo Gaje was teaching a small group in a courtyard on the roof of the Consulate building. He eventually found an ad in Inside Kung Fu which told of an Arnis class being given at the Filipino Consulate in New York City. When he went to college, Tom began searching for an Arnis instructor because he had read a magazine article about Arnis and the art interested him. He continued to practice this art while in High School. Tom Bisio began his martial arts career studying Tae Kwon Do at a local YMCA when he was 14 and then he subsequently started studying Ishin Kempo Karate when he was 15 years old. Whenever someone from New York calls me for advice about a Ba Gua teacher, Tom Bisio is the name I give them because I know that he fills all of the above listed requirements.
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Skill in executing all aspects of Ba Gua, skill in transmitting the art to others, and a decent personality are the three characteristics I look for in a good Ba Gua teacher. This might work in a cheap Hong Kong kung fu flick, but only ends up causing problems in the real world. There are far too many teachers out there who play the "I'm the great master and you are the peon student" game. Finally, I will only recommend an individual who I think is honest and straightforward, someone who is easy to get along with and doesn't play mind games with their students.
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Furthermore, that individual will be someone who is skilled at teaching the art, is enthusiastic about teaching the art, and teaches willingly and openly without holding back information or making students grovel to receive the material. Tom Bisio practicing Ba Gua Qin Na with Zhang Hua Sen in Beijing know to be very skilled in all aspects of Ba Gua and teaches a very complete and well balanced system of Ba Gua. When I recommend a Ba Gua teacher to a stranger over the phone I will only recommend someone that I However, there are three or four teachers in this country who I will wholeheartedly recommend to anyone who calls from their area. Every teacher has a different personality, different teaching style, and different emphasis in their Ba Gua instruction and so it is difficult to make recommendations to individuals I do not know about teachers I may or may not know. More times than not I will simply direct them to look at the instructor's directory on the back page of the Journal, find someone in their area, and go check out the instructor to see if that person is teaching something they would be interested in learning. In my capacity as the editor and publisher of the Pa Kua Chang Journal, I frequently receive phone calls from individuals seeking a Ba Gua Zhang instructor.